We used a Decent Espresso machine to make the coffees in this video.
In this 3rd video in the series, I suggest and explain 5 profiles, using medium-light beans from L'Alchimiste and a medium dark bean from Dark Arts.
In a digression, I explain why espresso machines generally use 9 bar of pressure, and not more or less: the secondary compression that happens above 9.5 bar, completing at 10.5 bar, causes increasing pressure to decrease flow, contrary to what you might think physics would predict.
The last part of this video gives an extensive tutorial on D-Flow, one of the most innovative features on the Decent.
If you don't know about D-Flow, you really should! It's not so much a profile as a family of profiles that you can easily change to mimic many other profiles, using coffee-concept adjustments. You don't need to become a skilled profile programmer.
I explain how Flow Profiling works and its benefits. Most people only use Pressure Profiling, and so this is not a widely understood ability. I argue that stopping a shot at the "Pressure elbow" during flow profiling is likely a winning strategy, as the extraction rate has greatly slowed after the elbow point.
The difference between fines-producing and no-fines grinders (ie, large flat burrs) is discussed, in terms of what kind of extraction curves you'll see on-screen, and how you should dial in differently for each.
The 5 profiles we show are:
Related videos:
Here is a blog post based on the transcript, focused on medium-roasted beans and five distinct espresso profiles. It's written for home baristas who want to move beyond dark roasts and explore the complexity of medium beans.
Medium roast is the trickiest category. It spans from medium‑light (caramel, red fruits, no char) to medium‑dark (bitter chocolate, no fruit, no burn). And the way you extract it completely changes what ends up in your cup.
We put five profiles to the test on a Decent Espresso machine: Default, Flow Profile (milky drinks), Londinium, Adaptive, and D‑Flow. We used two very different medium beans – a chocolate‑forward medium‑dark from Dark Arts (London) and a fruity medium‑light from L'Alchimiste (Bordeaux) – to see what each profile could do.
Here's what we learned.
Here is how we describe 3 roasts levels inside what is called "medium roast" :
Pro tip: Open the bag and smell it. If you get wet cardboard or rancid oil, send it back. Fresh medium roasts smell like chocolate, nuts, or gentle fruit – not smoke.
We pulled all shots with 18g in, 36g out, using 58mm baskets. Grind size varied by profile.
Why it's default: It works with almost any grinder. It doesn't hold peak pressure for long, so even grinders with fewer fines (large flat burrs) won't channel easily.
Tasting (Dark Arts medium‑dark):
Verdict: Perfect for traditional espresso drinkers. If you want a no‑nonsense, chocolatey shot, start here.
This profile ignores pressure – it just pushes water at a fixed rate. Pressure rises and falls as the puck decides.
Tasting (same Dark Arts bean – but now it's different!):
\\Why the change?\\The Default profile was pressure‑focused (crema and traditional body). The flow profile lets the puck dictate extraction, which can unlock fruit even in a medium‑dark roast.
Verdict: Experiment with flow if you want to find hidden fruit in your “chocolate” beans.
Key feature: Fast fill, then a pressurized pause* (soak at ~3 bar) until you see dripping.
How it works:The 3‑bar soak hydrates the entire puck evenly. Then pressure rises (to ~7 bar in our test). This heals poor puck prep and reduces channeling.
Tasting (Dark Arts medium‑dark):
Tasting (L'Alchimiste medium‑light):
Pro tip: If your medium roast isn't fruity enough, try a finer grind with Londinium and aim for 45–50 seconds. This produced a super smooth, long shot that Mark (our barista) loved.
Verdict: Londinium shines with beans that have some fruit to give. It's forgiving and produces incredibly long, complex aftertastes.
How it works:After the soak, pressure rises for exactly 6 seconds. The flow rate reached at that point becomes the target for the rest of the shot. It's like an automatic flow profile.
Tasting (L'Alchimiste medium‑light):
Verdict: Use Adaptive when your beans are nudging toward light roast. It prevents the harshness of a long pressurized soak while still giving you a balanced, fruit‑forward cup.
D‑Flow isn't one profile – it's a family that puts the control where it belongs: coffee variables, not programming steps.
What you can adjust:
Why it's clever:
Tasting (L'Alchimiste, two different grinds):
Verdict: If you only learn one advanced profile, make it D‑Flow. It heals puck imperfections, works across a wide range of grind sizes, and lets you apply your tasting knowledge without becoming a programmer.
If your bean is… Medium‑dark (chocolate, no fruit)
If your bean is…True medium (comfort chocolate)
If your bean is…Medium‑light (caramel, red fruits)
Medium roasts are a playground. With the right profile, the same bean can taste like a thick, chocolatey traditional espresso or a bright, mango‑forward surprise. Don't settle for “it's just medium.” Dial in, taste, and adjust.
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